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GOULD, John (1804-1881)

Platalea Leucorodia [Spoonbill]

London: [Taylor and Francis for the Author, 1862 - 1873]. Lithograph, coloured by hand, by J. Gould & H.C. Richter, printed by Walter. Very good condition apart from some overall light soiling. Sheet size: 14 1/8 x 21 inches.

A beautiful image from John Gould's 'The Birds of Great Britain': 'A magnificent work with life-like portraits of birds of the British Isles'. (Wood)

This plate, from what Sacheverell Sitwell called 'The most popular of all his works' ('Fine Bird Books'), shows a new liveliness of treatment that is not present in Gould's earlier works. This is thanks to suggestions made by Joseph Wolf, who drew 57 of the plates and accompanied Gould on an ornithological tour of Scandinavia in 1856.

Gould's illustrations were all painstakingly coloured by hand, as he states in his preface: 'Many of the public are quite unaware how the colouring of these large plates is accomplished; and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however, is not the case: every sky with its varied tints and every feather of each bird were coloured by hand; and when it is considered... it will most likely cause some astonishment to those who give the subject a thought'.

Cf.Fine Bird Books (1990), p. 102; cf.Nissen IVB 372; cf.Sauer 23; cf.Wood p. 365; cf.Zimmer p. 261.

#9367$2,250.00



GOULD, John (1804-1881)

Pteroglossus Aracari [Black-necked Arcari]

[London: by the Author, 1835]. Hand-coloured lithograph by John and Elizabeth Gould, printed by C. Hullmandel. Wove paper. Very good condition apart from some light soiling in the right margin. Sheet size: 21 1/4 x 14 3/8 inches.

A fine image from the first edition of John Gould's "A Monograph of the Ramphastidae, or Family of Toucans."

The toucan family is limited to Mexico, Central and South America and some West Indian islands. The first time that any member of the family was described was by Gonzalo Fernandez de Oviedo y Valdes in his "de la natural hystoria de las Indias." (Toledo, 1526, chapter 42) In 1555 Pierre Belon included an illustration of its beak in his "L'Histoire de la nature des oyseaux." (Paris, 1555, p.184) Andre Thevet first used the name "Toucan" with a long description, and a woodcut of a whole bird, in his "Singularitez de la France" (Paris, 1555, pp.88-90). The Latin name "Burhynchus" or "Ramphestes" (in reference to the size of the beak) was suggested by Conrad Gesner ("Icones Avium", 1560, p.130), and Linnaeus later adopted Aldrovandus's corrupted form of the latter ("Ramphastos"), which is how the family was still recognized at the time of the publication of the present image.

The present image is from the first edition of Gould's work, published in 1833-1835, which represented the first concerted attempt to produce a monograph on the family. A second expanded edition was published between 1852 and 1854. Gould considered this to be a completely separate work as the plates were all re-drawn and the text re-written.

Cf. Anker 170; cf. Fine Bird Books (1990), p. 101; cf. Nissen IVB 378; cf. Sauer 3; cf. Wood, p. 364; cf. Zimmer, p. 252.

#9999$2,750.00



GOULD, John (1804-1881)

Pteroglossus Castanotus [Chestnut-eared Aracari] [Pl. 13]

[Pl. 13]. [London: by the Author, 1835]. Hand-coloured lithograph by John and Elizabeth Gould. Very good condition. Sheet size: 21 1/2 x 14 1/2 inches.

A fine image from the first edition of John Gould's 'A Monograph of the Ramphastidae, or Family of Toucans'.

The toucan family is limited to Mexico, Central and South America and some West Indian islands. The first time that any member of the family was described was by Gonzalo Fernandez de Oviedo y Valdes in his "de la natural hystoria de las Indias" (Toledo, 1526, chapter 42), in 1555 Pierre Belon included an illustration of its beak in his "L'Histoire de la nature des oyseaux" (Paris, 1555, p.184). Andre Thevet first used the name 'Toucan' with a long description, and a woodcut of a whole bird, in his "Singularitez de la France" (Paris, 1555, pp.88-90). The Latin name "Burhynchus" or "Ramphestes" (in reference to the size of the beak) was suggested by Conrad Gesner ("Icones Avium", 1560, p.130), and Linnaeus later adopted Aldrovandus' corrupted form of the latter ("Ramphastos") which is how the family was still recognized at the time of the publication of the present image.

The present image is from the first edition of Gould's work, published in 1833-1835, which represented the first concerted attempt to produce a monograph on the family. A second expanded edition was published between 1852 and 1854. Gould considered this to be completely separate work as the plates were all re-drawn and the text re-written.

Cf. Anker 170; cf. Fine Bird Books (1990), p. 101; cf. Nissen IVB 378; cf. Sauer 3; cf. Wood p. 364; cf. Zimmer p. 252.

#14880$2,750.00



GOULD, John (1804-1881)

Pteroglossus Culik; Koulik Aracari

[London: by the Author, 1835]. Hand-coloured lithograph by John and Elizabeth Gould, printed by C. Hullmandel. Wove paper. Very good condition. Sheet size: 21 5/8 x 14 3/4 inches.

A fine image from the first edition of John Gould's 'A Monograph of the Ramphastidae, or Family of Toucans'.

The toucan family is limited to Mexico, Central and South America and some West Indian islands. The first time that any member of the family was described was by Gonzalo Fernandez de Oviedo y Valdes in his "de la natural hystoria de las Indias" (Toledo, 1526, chapter 42), in 1555 Pierre Belon included an illustration of its beak in his "L'Histoire de la nature des oyseaux" (Paris, 1555, p.184). Andre Thevet first used the name 'Toucan' with a long description, and a woodcut of a whole bird, in his "Singularitez de la France" (Paris, 1555, pp.88-90). The Latin name "Burhynchus" or "Ramphestes" (in reference to the size of the beak) was suggested by Conrad Gesner ("Icones Avium", 1560, p.130), and Linnaeus later adopted Aldrovandus' corrupted form of the latter ("Ramphastos") which is how the family was still recognized at the time of the publication of the present image.

The present image is from the first edition of Gould's work, published in 1833-1835, which represented the first concerted attempt to produce a monograph on the family. A second expanded edition was published between 1852 and 1854. Gould considered this to be completely separate work as the plates were all re-drawn and the text re-written.

Cf. Anker 170; cf. Fine Bird Books (1990), p. 101; cf. Nissen IVB 378; cf. Sauer 3; cf. Wood p. 364; cf. Zimmer p. 252.

#14787$2,500.00



GOULD, John (1804-1881)

Pteroglossus Derbianus. Derby's Groove-bill Araçari [Pl. 32]

[Pl. 32]. [London: by the Author, 1835]. Hand-coloured lithograph by John and Elizabeth Gould, printed by C.Hullmandel. Very good condition. Sheet size: 21 1/2 x 14 1/2 inches.

A fine image from the first edition of John Gould's 'A Monograph of the Ramphastidae, or Family of Toucans'.

The toucan family is limited to Mexico, Central and South America and some West Indian islands. The first time that any member of the family was described was by Gonzalo Fernandez de Oviedo y Valdes in his "de la natural hystoria de las Indias" (Toledo, 1526, chapter 42), in 1555 Pierre Belon included an illustration of its beak in his "L'Histoire de la nature des oyseaux" (Paris, 1555, p.184). Andre Thevet first used the name 'Toucan' with a long description, and a woodcut of a whole bird, in his "Singularitez de la France" (Paris, 1555, pp.88-90). The Latin name "Burhynchus" or "Ramphestes" (in reference to the size of the beak) was suggested by Conrad Gesner ("Icones Avium", 1560, p.130), and Linnaeus later adopted Aldrovandus' corrupted form of the latter ("Ramphastos") which is how the family was still recognized at the time of the publication of the present image.

The present image is from the first edition of Gould's work, published in 1833-1835, which represented the first concerted attempt to produce a monograph on the family. A second expanded edition was published between 1852 and 1854. Gould considered this to be completely separate work as the plates were all re-drawn and the text re-written.

Cf. Anker 170; cf. Fine Bird Books (1990), p. 101; cf. Nissen IVB 378; cf. Sauer 3; cf. Wood p. 364; cf. Zimmer p. 252.

#14888$1,750.00



GOULD, John (1804-1881)

Pteroglossus Erythropygius [Red-rumped Aracari]

[London: by the Author, 1854]. Hand-coloured lithograph by John Gould and H. C. Richter, printed by Hullmandel & Walton. Wove paper. Very good condition. Sheet size: 21 1/4 x 14 1/2 inches.

A fine image from the expanded second edition of John Gould's "A Monograph of the Ramphastidae, or Family of Toucans."

The toucan family is limited to Mexico, Central and South America, and some West Indian islands. The first time that any member of the family was described was by Gonzalo Fernandez de Oviedo y Valdes in his "de la natural hystoria de las Indias." (Toledo, 1526, chapter 42) In 1555 Pierre Belon included an illustration of its beak in his "L'Histoire de la nature des oyseaux." (Paris, 1555, p. 184) Andre Thevet first used the name 'Toucan' with a long description, and a woodcut of a whole bird, in his "Singularitez de la France" (Paris, 1555, pp.88-90). The Latin name "Burhynchus" or "Ramphestes" (in reference to the size of the beak) was suggested by Conrad Gesner ("Icones Avium", 1560, p.130), and Linnaeus later adopted Aldrovandus' corrupted form of the latter ("Ramphastos"), which is how the family was still recognized at the time of the publication of the present image.

The first edition of Gould's work, published in 1833-1835, represented the first concerted attempt to produce a monograph on the family. The present image is from the second expanded edition, which Gould considered to be a completely separate work: the plates were all re-drawn and the text re-written.

Cf. Anker 170; cf. Fine Bird Books (1990), p. 101; cf. Nissen IVB 378; cf. Sauer 3; cf. Wood p. 364; cf. Zimmer p. 252.

#9992$2,250.00



GOULD, John (1804-1881)

Pteroglossus Humboldti [Pl. 22]

[Pl. 22]. [London: by the Author, 1854]. Hand-coloured lithograph by John Gould and H. C. Richter, printed by Hullmandel & Walton. Sheet size: 21 1/2 x 14 1/2 inches.

A fine image from the expanded second edition of John Gould's "A Monograph of the Ramphastidae, or Family of Toucans."

The toucan family is limited to Mexico, Central and South America, and some West Indian islands. The first time that any member of the family was described was by Gonzalo Fernandez de Oviedo y Valdes in his "de la natural hystoria de las Indias." (Toledo, 1526, chapter 42) In 1555 Pierre Belon included an illustration of its beak in his "L'Histoire de la nature des oyseaux." (Paris, 1555, p. 184) Andre Thevet first used the name 'Toucan' with a long description, and a woodcut of a whole bird, in his "Singularitez de la France" (Paris, 1555, pp.88-90). The Latin name "Burhynchus" or "Ramphestes" (in reference to the size of the beak) was suggested by Conrad Gesner ("Icones Avium", 1560, p.130), and Linnaeus later adopted Aldrovandus' corrupted form of the latter ("Ramphastos"), which is how the family was still recognized at the time of the publication of the present image.

The first edition of Gould's work, published in 1833-1835, represented the first concerted attempt to produce a monograph on the family. The present image is from the second expanded edition, which Gould considered to be a completely separate work: the plates were all re-drawn and the text re-written.

Cf. Anker 170; cf. Fine Bird Books (1990), p. 101; cf. Nissen IVB 378; cf. Sauer 3; cf. Wood, p. 364; cf. Zimmer, p. 252.

#14877$1,850.00



GOULD, John (1804-1881)

Pteroglossus Humboldtii / Humboldt's Aracari

[London: by the Author, 1835]. Hand-coloured lithograph by John and Elizabeth Gould, printed by C. Hullmandel. Wove paper. Very good condition. Sheet size: 21 1/4 x 14 1/2 inches.

A fine image from the first edition of John Gould's "A Monograph of the Ramphastidae, or Family of Toucans."

The toucan family is limited to Mexico, Central and South America and some West Indian islands. The first time that any member of the family was described was by Gonzalo Fernandez de Oviedo y Valdes in his "de la natural hystoria de las Indias." (Toledo, 1526, chapter 42) In 1555 Pierre Belon included an illustration of its beak in his "L'Histoire de la nature des oyseaux." (Paris, 1555, p.184) Andre Thevet first used the name "Toucan" with a long description, and a woodcut of a whole bird, in his "Singularitez de la France" (Paris, 1555, pp.88-90). The Latin name "Burhynchus" or "Ramphestes" (in reference to the size of the beak) was suggested by Conrad Gesner ("Icones Avium", 1560, p.130), and Linnaeus later adopted Aldrovandus's corrupted form of the latter ("Ramphastos"), which is how the family was still recognized at the time of the publication of the present image.

The present image is from the first edition of Gould's work, published in 1833-1835, which represented the first concerted attempt to produce a monograph on the family. A second expanded edition was published between 1852 and 1854. Gould considered this to be a completely separate work as the plates were all re-drawn and the text re-written.

Cf. Anker 170; cf. Fine Bird Books (1990), p. 101; cf. Nissen IVB 378; cf. Sauer 3; cf. Wood, p. 364; cf. Zimmer, p. 252.

#10001$1,850.00



GOULD, John (1804-1881)

Pteroglossus Hypoglaucus / Grey-breasted Aracari

[London: by the Author, 1835]. Hand-coloured lithograph by John and Elizabeth Gould, printed by C. Hullmandel. Wove paper. Very good condition. Sheet size: 21 1/4 x 14 3/8 inches.

A fine image from the first edition of John Gould's "A Monograph of the Ramphastidae, or Family of Toucans."

The toucan family is limited to Mexico, Central and South America and some West Indian islands. The first time that any member of the family was described was by Gonzalo Fernandez de Oviedo y Valdes in his "de la natural hystoria de las Indias." (Toledo, 1526, chapter 42) In 1555 Pierre Belon included an illustration of its beak in his "L'Histoire de la nature des oyseaux." (Paris, 1555, p.184) Andre Thevet first used the name "Toucan" with a long description, and a woodcut of a whole bird, in his "Singularitez de la France" (Paris, 1555, pp.88-90). The Latin name "Burhynchus" or "Ramphestes" (in reference to the size of the beak) was suggested by Conrad Gesner ("Icones Avium", 1560, p.130), and Linnaeus later adopted Aldrovandus's corrupted form of the latter ("Ramphastos"), which is how the family was still recognized at the time of the publication of the present image.

The present image is from the first edition of Gould's work, published in 1833-1835, which represented the first concerted attempt to produce a monograph on the family. A second expanded edition was published between 1852 and 1854. Gould considered this to be a completely separate work as the plates were all re-drawn and the text re-written.

Cf. Anker 170; cf. Fine Bird Books (1990), p. 101; cf. Nissen IVB 378; cf. Sauer 3; cf. Wood, p. 364; cf. Zimmer, p. 252.

#9998$1,850.00



GOULD, John (1804-1881)

Pteroglossus Inscriptus. [Pl. 23]

[Pl. 23]. [London: by the Author, 1854]. Hand-coloured lithograph by John Gould and H. C. Richter, printed by Hullmandel & Walton. Sheet size: 21 1/2 x 14 1/2 inches.

A fine image from the expanded second edition of John Gould's "A Monograph of the Ramphastidae, or Family of Toucans."

The toucan family is limited to Mexico, Central and South America, and some West Indian islands. The first time that any member of the family was described was by Gonzalo Fernandez de Oviedo y Valdes in his "de la natural hystoria de las Indias." (Toledo, 1526, chapter 42) In 1555 Pierre Belon included an illustration of its beak in his "L'Histoire de la nature des oyseaux." (Paris, 1555, p. 184) Andre Thevet first used the name 'Toucan' with a long description, and a woodcut of a whole bird, in his "Singularitez de la France" (Paris, 1555, pp.88-90). The Latin name "Burhynchus" or "Ramphestes" (in reference to the size of the beak) was suggested by Conrad Gesner ("Icones Avium", 1560, p.130), and Linnaeus later adopted Aldrovandus' corrupted form of the latter ("Ramphastos"), which is how the family was still recognized at the time of the publication of the present image.

The first edition of Gould's work, published in 1833-1835, represented the first concerted attempt to produce a monograph on the family. The present image is from the second expanded edition, which Gould considered to be a completely separate work: the plates were all re-drawn and the text re-written.

Cf. Anker 170; cf. Fine Bird Books (1990), p. 101; cf. Nissen IVB 378; cf. Sauer 3; cf. Wood, p. 364; cf. Zimmer, p. 252.

#14875$1,850.00



GOULD, John (1804-1881)

Pteroglossus Langsdorfii; Langsdorf's Araçari [Pl. 28]

[Pl. 28]. [London: by the Author, 1835]. Hand-coloured lithograph by John and Elizabeth Gould, printed by C.Hullmandel. Very good condition. Sheet size: 21 1/2 x 14 1/2 inches.

A fine image from the first edition of John Gould's 'A Monograph of the Ramphastidae, or Family of Toucans'.

The toucan family is limited to Mexico, Central and South America and some West Indian islands. The first time that any member of the family was described was by Gonzalo Fernandez de Oviedo y Valdes in his "de la natural hystoria de las Indias" (Toledo, 1526, chapter 42), in 1555 Pierre Belon included an illustration of its beak in his "L'Histoire de la nature des oyseaux" (Paris, 1555, p.184). Andre Thevet first used the name 'Toucan' with a long description, and a woodcut of a whole bird, in his "Singularitez de la France" (Paris, 1555, pp.88-90). The Latin name "Burhynchus" or "Ramphestes" (in reference to the size of the beak) was suggested by Conrad Gesner ("Icones Avium", 1560, p.130), and Linnaeus later adopted Aldrovandus' corrupted form of the latter ("Ramphastos") which is how the family was still recognized at the time of the publication of the present image.

The present image is from the first edition of Gould's work, published in 1833-1835, which represented the first concerted attempt to produce a monograph on the family. A second expanded edition was published between 1852 and 1854. Gould considered this to be completely separate work as the plates were all re-drawn and the text re-written.

Cf. Anker 170; cf. Fine Bird Books (1990), p. 101; cf. Nissen IVB 378; cf. Sauer 3; cf. Wood p. 364; cf. Zimmer p. 252.

#14884$1,750.00



GOULD, John (1804-1881)

Pteroglossus Pluricinctus / Many-banded Aracari

[London: by the Author, 1835]. Hand-coloured lithograph by John and Elizabeth Gould, printed by C. Hullmandel. Wove paper. Very good condition apart from some light foxing in the margins. Sheet size: 21 1/4 x 14 3/8 inches.

A fine image from the first edition of John Gould's "A Monograph of the Ramphastidae, or Family of Toucans."

The toucan family is limited to Mexico, Central and South America and some West Indian islands. The first time that any member of the family was described was by Gonzalo Fernandez de Oviedo y Valdes in his "de la natural hystoria de las Indias." (Toledo, 1526, chapter 42) In 1555 Pierre Belon included an illustration of its beak in his "L'Histoire de la nature des oyseaux." (Paris, 1555, p.184) Andre Thevet first used the name "Toucan" with a long description, and a woodcut of a whole bird, in his "Singularitez de la France" (Paris, 1555, pp.88-90). The Latin name "Burhynchus" or "Ramphestes" (in reference to the size of the beak) was suggested by Conrad Gesner ("Icones Avium", 1560, p.130), and Linnaeus later adopted Aldrovandus's corrupted form of the latter ("Ramphastos"), which is how the family was still recognized at the time of the publication of the present image.

The present image is from the first edition of Gould's work, published in 1833-1835, which represented the first concerted attempt to produce a monograph on the family. A second expanded edition was published between 1852 and 1854. Gould considered this to be a completely separate work as the plates were all re-drawn and the text re-written.

Cf. Anker 170; cf. Fine Bird Books (1990), p. 101; cf. Nissen IVB 378; cf. Sauer 3; cf. Wood, p. 364; cf. Zimmer, p. 252.

#9996$1,800.00



GOULD, John (1804-1881)

Pteroglossus Prasinus; Golden-green Araçari [Pl. 29]

[Pl. 29]. [London: by the Author, 1835]. Hand-coloured lithograph by John and Elizabeth Gould, printed by C.Hullmandel. Very good condition. Sheet size: 21 1/2 x 14 1/2 inches.

A fine image from the first edition of John Gould's 'A Monograph of the Ramphastidae, or Family of Toucans'.

The toucan family is limited to Mexico, Central and South America and some West Indian islands. The first time that any member of the family was described was by Gonzalo Fernandez de Oviedo y Valdes in his "de la natural hystoria de las Indias" (Toledo, 1526, chapter 42), in 1555 Pierre Belon included an illustration of its beak in his "L'Histoire de la nature des oyseaux" (Paris, 1555, p.184). Andre Thevet first used the name 'Toucan' with a long description, and a woodcut of a whole bird, in his "Singularitez de la France" (Paris, 1555, pp.88-90). The Latin name "Burhynchus" or "Ramphestes" (in reference to the size of the beak) was suggested by Conrad Gesner ("Icones Avium", 1560, p.130), and Linnaeus later adopted Aldrovandus' corrupted form of the latter ("Ramphastos") which is how the family was still recognized at the time of the publication of the present image.

The present image is from the first edition of Gould's work, published in 1833-1835, which represented the first concerted attempt to produce a monograph on the family. A second expanded edition was published between 1852 and 1854. Gould considered this to be completely separate work as the plates were all re-drawn and the text re-written.

Cf. Anker 170; cf. Fine Bird Books (1990), p. 101; cf. Nissen IVB 378; cf. Sauer 3; cf. Wood p. 364; cf. Zimmer p. 252.

#14887$1,750.00



GOULD, John (1804-1881)

Pteroglossus Sulcatus; Grooved-bill Araçari [Pl. 31]

[Pl. 31]. [London: by the Author, 1835]. Hand-coloured lithograph by John and Elizabeth Gould, printed by C.Hullmandel. Very good condition. Sheet size: 21 1/2 x 14 1/2 inches.

A fine image from the first edition of John Gould's 'A Monograph of the Ramphastidae, or Family of Toucans'.

The toucan family is limited to Mexico, Central and South America and some West Indian islands. The first time that any member of the family was described was by Gonzalo Fernandez de Oviedo y Valdes in his "de la natural hystoria de las Indias" (Toledo, 1526, chapter 42), in 1555 Pierre Belon included an illustration of its beak in his "L'Histoire de la nature des oyseaux" (Paris, 1555, p.184). Andre Thevet first used the name 'Toucan' with a long description, and a woodcut of a whole bird, in his "Singularitez de la France" (Paris, 1555, pp.88-90). The Latin name "Burhynchus" or "Ramphestes" (in reference to the size of the beak) was suggested by Conrad Gesner ("Icones Avium", 1560, p.130), and Linnaeus later adopted Aldrovandus' corrupted form of the latter ("Ramphastos") which is how the family was still recognized at the time of the publication of the present image.

The present image is from the first edition of Gould's work, published in 1833-1835, which represented the first concerted attempt to produce a monograph on the family. A second expanded edition was published between 1852 and 1854. Gould considered this to be completely separate work as the plates were all re-drawn and the text re-written.

Cf. Anker 170; cf. Fine Bird Books (1990), p. 101; cf. Nissen IVB 378; cf. Sauer 3; cf. Wood p. 364; cf. Zimmer p. 252.

#14886$1,750.00



GOULD, John (1804-1881)

Pteroglossus Viridis [Pl. 24]

[Pl. 24]. [London: by the Author, 1854]. Hand-coloured lithograph by John Gould and H. C. Richter, printed by Hullmandel & Walton. Sheet size: 21 1/2 x 14 1/2 inches.

A fine image from the expanded second edition of John Gould's "A Monograph of the Ramphastidae, or Family of Toucans."

The toucan family is limited to Mexico, Central and South America, and some West Indian islands. The first time that any member of the family was described was by Gonzalo Fernandez de Oviedo y Valdes in his "de la natural hystoria de las Indias." (Toledo, 1526, chapter 42) In 1555 Pierre Belon included an illustration of its beak in his "L'Histoire de la nature des oyseaux." (Paris, 1555, p. 184) Andre Thevet first used the name 'Toucan' with a long description, and a woodcut of a whole bird, in his "Singularitez de la France" (Paris, 1555, pp.88-90). The Latin name "Burhynchus" or "Ramphestes" (in reference to the size of the beak) was suggested by Conrad Gesner ("Icones Avium", 1560, p.130), and Linnaeus later adopted Aldrovandus' corrupted form of the latter ("Ramphastos"), which is how the family was still recognized at the time of the publication of the present image.

The first edition of Gould's work, published in 1833-1835, represented the first concerted attempt to produce a monograph on the family. The present image is from the second expanded edition, which Gould considered to be a completely separate work: the plates were all re-drawn and the text re-written.

Cf. Anker 170; cf. Fine Bird Books (1990), p. 101; cf. Nissen IVB 378; cf. Sauer 3; cf. Wood, p. 364; cf. Zimmer, p. 252.

#14876$1,750.00



GOULD, John (1804-1881)

Pucrasia castanea [Kafiristan Pucras Pheasant]

[London: by the Author, 1850-1883]. Hand-coloured lithograph by John Gould and H.C.Richter, printed by Hullmandel & Walton. Wove paper. Sheet size: 14 5/8 x 21 1/4 inches.

A fine image from John Gould's magnificent folio work 'The Birds of Asia'.

Now known as the Western Kolass Pheasant. John Gould notes that 'Two adult examples of this Pheasant grace the collection of the Hon. East India Company, and I am indebted to the Directors and to Dr. Horsfield for permission to figure so fine a bird for the first time in "The Birds of Asia".'

'The Koklass Pheasants have a very discontinuous area of distribution; some subspecies are found in the Himalayas from Afghanistan to Nepal, others in the east of Tibet and north-east China... Koklass are mountain birds living in forests mostly at altitudes of 4000 feet up to about 15,000 feet. They are rather solitary and are never seen feeding in flocks... The cock has an unusual crow and both birds make croaking noises reminiscent of a raven.' (A.Rutgers Birds of Asia 1969, p.38).

The intended geographical range of "The Birds of Asia" was enormous, and very much in keeping with the seemingly limitless self-belief of the 19th-century's best known ornithologist. In his all-encompassing work John Gould includes species from all corners of the eastern world, as Richard Bowdler Sharpe noted the work covers "Species from Palestine to the eastward, and from the Moluccas to the west". Gould chose to record the bird life from an area which, with the exception of the tropical areas of the American continent, includes the widest, and pheasants of the region, one of the most beautiful and varied of all bird families.

Cf. Anker 178; cf. Fine Bird Books (1990), p.102; cf. Nissen IVB 368; cf. Sauer 17; cf. Wood p. 365; cf. Zimmer p.258.

#5567$2,750.00



GOULD, John (1804-1881)

Pucrasia darwini. [Darwin's Pucras Pheasant]

[London: by the Author, 1850-1883]. Hand-coloured lithograph by John Gould and H.C.Richter, printed by Walter. Wove paper. Sheet size: 14 3/4 x 21 3/4 inches.

A fine image from John Gould's magnificent folio work 'The Birds of Asia'.

Now known as Darwin's Koklass Pheasant. John Gould quotes from Elliot's monograph on the pheasant family 'This new species of Pheasant appears to represent, on the eastern Chinese ranges, the buff-spotted Pucras of the more western portion of that mighty empire'.

'The Koklass Pheasants have a very discontinuous area of distribution; some subspecies are found in the Himalayas from Afghanistan to Nepal, others in the east of Tibet and north-east China... Koklass are mountain birds living in forests mostly at altitudes of 4000 feet up to about 15,000 feet. They are rather solitary and are never seen feeding in flocks... The cock has an unusual crow and both birds make croaking noises reminiscent of a raven.' (A.Rutgers Birds of Asia 1969, p.38).

The intended geographical range of "The Birds of Asia" was enormous, and very much in keeping with the seemingly limitless self-belief of the 19th-century's best known ornithologist. In his all-encompassing work John Gould includes species from all corners of the eastern world, as Richard Bowdler Sharpe noted the work covers "Species from Palestine to the westward, and from the Moluccas to the east". Gould chose to record the bird life from an area which, with the exception of the tropical areas of the American continent, includes the widest, and most colourful variety of bird life to be found anywhere in the world.

The present plate is from a large number of images documenting the Pheasants of the region, one of the most beautiful and varied of all bird families.

Cf. Anker 178; cf. Fine Bird Books (1990), p.102; cf. Nissen IVB 368; cf. Sauer 17; cf. Wood p. 365; cf. Zimmer p.258.

#5568$2,750.00



GOULD, John (1804-1881)

Pucrasia macrolopha [Himalayan Pucras Pheasant]

[London: by the Author, 1850-1883]. Hand-coloured lithograph by John Gould and H.C.Richter, printed by Hullmandel & Walton. Wove paper. Sheet size: 14 1/2 x 21 1/4 inches.

A fine image from John Gould's magnificent folio work 'The Birds of Asia'.

Now known as a Koklass Pheasant. John Gould notes that this beautiful bird is native to 'the central portion of the great Himalayan range... I learn from the notes of the late Hon. F.J.Shore that it is found all over Gurhwall, on ridges from 5500 to 8000 feet high, and that its native name is Koklas or Fuklas. Major-Gen. Hardwicke procured it on the Almorah Hills, and Dr. William Jameson states that it inhabits the Himalayas at an elevation of from 1800 to 5000 feet'.

'The Koklass Pheasants have a very discontinuous area of distribution; some subspecies are found in the Himalayas from Afghanistan to Nepal, others in the east of Tibet and north-east China... Koklass are mountain birds living in forests mostly at altitudes of 4000 feet up to about 15,000 feet. They are rather solitary and are never seen feeding in flocks... The cock has an unusual crow and both birds make croaking noises reminiscent of a raven.' (A.Rutgers Birds of Asia 1969, p.38).

The intended geographical range of "The Birds of Asia" was enormous, and very much in keeping with the seemingly limitless self-belief of the 19th-century's best known ornithologist. In his all-encompassing work John Gould includes species from all corners of the eastern world, as Richard Bowdler Sharpe noted the work covers "Species from Palestine to the eastward, and from the Moluccas to the west". Gould chose to record the bird life from an area which, with the exception of the tropical areas of the American continent, includes the widest, and most colourful variety of bird life to be found anywhere in the world.

The present plate is from a large number of images documenting the pheasants of the region, one of the most beautiful and varied of all bird families.

Cf. Anker 178; cf. Fine Bird Books (1990), p.102; cf. Nissen IVB 368; cf. Sauer 17; cf. Wood p. 365; cf. Zimmer p.258.

#5574$2,750.00



GOULD, John (1804-1881)

Pucrasia nipalensis. [Nepal Koklass (Pucrasia macrolopha nipalensis)]

[London: by the Author, 1850-1883]. Hand-coloured lithograph by John Gould and H.C.Richter, printed by Hullmandel & Walton. Wove paper. (Paper somewhat browned) . Sheet size: 14 7/16 x 21 1/4 inches.

A fine image from John Gould's magnificent folio work 'The Birds of Asia'.

'The Koklass Pheasants have a very discontinuous area of distribution; some subspecies are found in the Himalayas from Afghanistan to Nepal, others in the east of Tibet and north-east China... Koklass are mountain birds living in forests mostly at altitudes of 4000 feet up to about 15,000 feet. They are rather solitary and are never seen feeding in flocks... The cock has an unusual crow and both birds make croaking noises reminiscent of a raven.' (A.Rutgers Birds of Asia 1969, p.38).

The intended geographical range of "The Birds of Asia" was enormous, and very much in keeping with the seemingly limitless self-belief of the 19th-century's best known ornithologist. In his all-encompassing work John Gould includes species from all corners of the eastern world, as Richard Bowdler Sharpe noted the work covers "Species from Palestine to the eastward, and from the Moluccas to the west". Gould chose to record the bird life from an area which, with the exception of the tropical areas of the American continent, includes the widest, and most colourful variety of bird life to be found anywhere in the world.

The present plate is from a large number of images documenting the Pheasants of the region, one of the most beautiful and varied of all bird families.

Cf. Anker 178; cf. Fine Bird Books (1990), p.102; cf. Nissen IVB 368; cf. Sauer 17; cf. Wood p. 365; cf. Zimmer p.258.

#5565$2,750.00



GOULD, John (1804-1881)

Ramphastos citreopygus [Lemon-rumped Toucan]

[London: by the Author, 1835]. Hand-coloured lithograph by John and Elizabeth Gould, printed by C. Hullmandel. Wove paper. Very good condition apart from some minor foxing. Sheet size: 19 x 14 1/4 inches (visible). Silver gilt frame. Frame size: 26 7/8 x 22 inches.

A fine image from the first edition of John Gould's "A Monograph of the Ramphastidae, or Family of Toucans."

The toucan family is limited to Mexico, Central and South America and some West Indian islands. The first time that any member of the family was described was by Gonzalo Fernandez de Oviedo y Valdes in his de la natural hystoria de las Indias (Toledo, 1526, chapter 42). In 1555 Pierre Belon included an illustration of its beak in his L'Histoire de la nature des oyseaux (Paris, 1555, p.184). Andre Thevet first used the name "Toucan" with a long description, and a woodcut of a whole bird, in his Singularitez de la France (Paris, 1555, pp.88-90). The Latin name Burhynchus or Ramphestes (in reference to the size of the beak) was suggested by Conrad Gesner (Icones Avium, 1560, p.130), and Linnaeus later adopted Aldrovandus's corrupted form of the latter (Ramphastos) which is how the family was still recognized at the time of the publication of the present image.

The present image is from the first edition of Gould's work, published in 1833-1835, which represented the first concerted attempt to produce a monograph on the family. A second expanded edition was published between 1852 and 1854. Gould considered this to be completely separate work as the plates were all redrawn and the text rewritten.

Cf. Anker 170; cf. Fine Bird Books (1990), p. 101; cf. Nissen IVB 378; cf. Sauer 3; cf. Wood p. 364; cf. Zimmer p. 252.

#13333$4,500.00



GOULD, John (1804-1881)

Ramphastos cuvieri. Cuvier's Toucan [Ramphastos c. cuvieri]

[London: by the Author, 1835]. Hand-coloured lithograph by John and Elizabeth Gould, printed by C.Hullmandel. Wove paper. Sheet size: 21 3/4 x 14 3/4 inches.

A fine image from the first edition of John Gould's 'A Monograph of the Ramphastidae, or Family of Toucans'.

'There has been some controversy about the classification of this toucan. Some writers classify several species together, others treat them separately... The range includes the whole of the Amazon basin as far as east Colombia, east Ecuador, east Peru, north Bolivia and south Venezuela.' (A.Rutgers Birds of South America 1972, p.154).

The toucan family is limited to Mexico, Central and South America and some West Indian islands. The first time that any member of the family was described was by Gonzalo Fernandez de Oviedo y Valdes in his "de la natural hystoria de las Indias" (Toledo, 1526, chapter 42), in 1555 Pierre Belon included an illustration of its beak in his "L'Histoire de la nature des oyseaux" (Paris, 1555, p.184). Andre Thevet first used the name 'Toucan' with a long description, and a woodcut of a whole bird, in his "Singularitez de la France" (Paris, 1555, pp.88-90). The Latin name "Burhynchus" or "Ramphestes" (in reference to the size of the beak) was suggested by Conrad Gesner ("Icones Avium", 1560, p.130), and Linnaeus later adopted Aldrovandus' corrupted form of the latter ("Ramphastos") which is how the family was still recognized at the time of the publication of the present image.

The present image is from the first edition of Gould's work, published in 1833-1835, which represented the first concerted attempt to produce a monograph on the family. A second expanded edition was published between 1852 and 1854. Gould considered this to be completely separate work as the plates were all re-drawn and the text re-written.

Cf. Anker 170; cf. Fine Bird Books (1990), p. 101; cf. Nissen IVB 378; cf. Sauer 3; cf. Wood p. 364; cf. Zimmer p. 252.

#5552$4,500.00



GOULD, John (1804-1881)

Ramphastos osculans. Osculant Toucan [Ramphastos osculans]

[London: by the Author, 1835]. Hand-coloured lithograph by John and Elizabeth Gould, printed by C.Hullmandel. Wove paper. Sheet size: 21 11/16 x 14 5/16 inches.

A fine image from the first edition of John Gould's 'A Monograph of the Ramphastidae, or Family of Toucans'.

The toucan family is limited to Mexico, Central and South America and some West Indian islands. The first time that any member of the family was described was by Gonzalo Fernandez de Oviedo y Valdes in his "de la natural hystoria de las Indias" (Toledo, 1526, chapter 42), in 1555 Pierre Belon included an illustration of its beak in his "L'Histoire de la nature des oyseaux" (Paris, 1555, p.184). Andre Thevet first used the name 'Toucan' with a long description, and a woodcut of a whole bird, in his "Singularitez de la France" (Paris, 1555, pp.88-90). The Latin name "Burhynchus" or "Ramphestes" (in reference to the size of the beak) was suggested by Conrad Gesner ("Icones Avium", 1560, p.130), and Linnaeus later adopted Aldrovandus' corrupted form of the latter ("Ramphastos") which is how the family was still recognized at the time of the publication of the present image.

The present image is from the first edition of Gould's work, published in 1833-1835, which represented the first concerted attempt to produce a monograph on the family. A second expanded edition was published between 1852 and 1854. Gould considered this to be completely separate work as the plates were all re-drawn and the text re-written.

Cf. Anker 170; cf. Fine Bird Books (1990), p. 101; cf. Nissen IVB 378; cf. Sauer 3; cf. Wood p. 364; cf. Zimmer p. 252.

#5555$4,500.00



GOULD, John (1804-1881)

Red Grouse. Lagopus Scoticus

London: [by the Author, 1832-1837]. Lithograph, coloured by hand, by J & E. Gould, printed by C. Hullmandel. Very good condition apart from some overall light soiling. Sheet size: 14 1/4 x 21 1/8 inches.

A beautiful image from John Gould's 'The Birds of Europe': a work which, according to Hyman, 'included some of the most remarkable bird drawings ever made'.

This plate is from the second of John Gould's great ornithological portfolios. Gould undertook this work not only hoping to build on the success of his first work (on the birds of the Himalaya mountains), but also in an effort to redress the imbalance between the study of local and foreign ornithology. It was his opinion that too much attention had focused on the exotic, whilst the beauty of the more local species was ignored. He wrote in the preface to the work from which this image comes: 'It has been frequently remarked that the productions of distant countries have received a much larger share of attention than those objects by which we are more immediately surrounded; and it is certainly true, that while numerous and costly illustrations have made us acquainted with the Ornithology of most other parts of the world, the Birds of Europe, in which we are, or ought to be, more interested, have not received that degree of attention which they naturally demand. The present work has been undertaken to supply that deficiency.'

The images in this work are the first to be published by Gould that show the liveliness of treatment that was to become such a feature of later works. This break from the traditional methods of bird depiction can be largely attributed to the influence of and contributions from Edward Lear: 'They are certainly among the most remarkable bird drawings ever made, [for] it is evident that Lear endowed them with some measure of his own whimsy and intelligence, his energetic curiosity, his self-conscious clumsiness and his unselfconscious charm'. (Hyman)

Cf. Anker 169; cf.Balis 101; cf.Fine Bird Books (1990), p. 102; cf.Nissen IVB 371; cf.Sauer 2; cf.Zimmer p. 251.

#9268$1,200.00



GOULD, John (1804-1881)

Rufous Backed Egret. Ardea rufsata

London: [by the Author, 1832-1837]. Lithograph, coloured by hand, by J & E. Gould, printed by C. Hullmandel. Very good condition apart from some overall light soiling. Sheet size: 14 3/8 x 21 1/8 inches.

A beautiful image from John Gould's 'The Birds of Europe': a work which, according to Hyman, 'included some of the most remarkable bird drawings ever made'.

This plate is from the second of John Gould's great ornithological portfolios. Gould undertook this work not only hoping to build on the success of his first work (on the birds of the Himalaya mountains), but also in an effort to redress the imbalance between the study of local and foreign ornithology. It was his opinion that too much attention had focused on the exotic, whilst the beauty of the more local species was ignored. He wrote in the preface to the work from which this image comes: 'It has been frequently remarked that the productions of distant countries have received a much larger share of attention than those objects by which we are more immediately surrounded; and it is certainly true, that while numerous and costly illustrations have made us acquainted with the Ornithology of most other parts of the world, the Birds of Europe, in which we are, or ought to be, more interested, have not received that degree of attention which they naturally demand. The present work has been undertaken to supply that deficiency.'

The images in this work are the first to be published by Gould that show the liveliness of treatment that was to become such a feature of later works. This break from the traditional methods of bird depiction can be largely attributed to the influence of and contributions from Edward Lear: 'They are certainly among the most remarkable bird drawings ever made, [for] it is evident that Lear endowed them with some measure of his own whimsy and intelligence, his energetic curiosity, his self-conscious clumsiness and his unselfconscious charm'. (Hyman)

Cf. Anker 169; cf.Balis 101; cf.Fine Bird Books (1990), p. 102; cf.Nissen IVB 371; cf.Sauer 2; cf.Zimmer p. 251.

#9270$2,750.00



GOULD, John (1804-1881)

Selasphorus? Heloisa [Heloisa's Flame-bearer]

[London: by the Author, 1849-1887]. Hand-coloured lithograph by H.C. Richter, printed by Hullmandel & Walton. Beautifully heightened with gold iridescence. Wove paper. Very good condition. Sheet size: 22 x 15 inches.

A beautiful image, heightened with gold iridescence, from 'A Monograph of the Trochilidae or Family of Humming-Birds', John Gould's 'masterpiece, [which]... must ever remain a feast of beauty and a source of wonder... an incomparable catalogue and compendium of beauty' ('Fine Bird Books').

'There is no one appreciative of the beauties of nature who will not recall... with delight the time when a live humming-bird first met his gaze. The suddenness of the apparition, even when expected, and its brief duration, are alone enough to fix the fluttering vision on the mind's eye.... The beautiful nests of humming-birds... will be found on examination to be very solidly and tenaciously built, though the materials are generally of the slightest - cotton-wool or some vegetable down and spider's webs' (Alfred Newton in 'The Encyclopedia Britannica 1911, vol. 13, p.887). The Hummingbird family includes members that are the smallest birds in the world. The largest measures no more than 8 1/2 inches and the smallest 2 3/8 inches in length. They are confined to the American continent and its islands, but are wide ranging within this limitation, with over 400 different species covering an area from the fuchias of Tierra del Fuego in the south to the althaea bushes of Toronto gardens in the north.

The present image is from the work of which Gould himself was most proud. Hummingbirds remained a fascination for him throughout his professional life, as evidenced by his collection of 1500 mounted specimens, which were exhibited in the Royal Zoological Gardens in Regent's Park, London, in 1851 as part of the festivities surrounding the Great Exhibition. The exhibit proved a great success, with Queen Victoria and Prince Albert numbering among the 75,000 visitors.

Cf. Anker 177; cf. Fine Bird Books (1990), p.101; cf. Nissen IVB 380; cf. Sauer 16 & 29; cf. Wood p. 365; cf. Zimmer p. 258.

#18700$1,500.00



GOULD, John (1804-1881)

Selenidera Gouldi [Pl. 32]

[Pl. 32]. [London: by the Author, 1854]. Hand-coloured lithograph by John Gould and H. C. Richter, printed by Hullmandel & Walton. Sheet size: 21 1/2 x 14 1/2 inches.

A fine image from the expanded second edition of John Gould's "A Monograph of the Ramphastidae, or Family of Toucans."

The toucan family is limited to Mexico, Central and South America, and some West Indian islands. The first time that any member of the family was described was by Gonzalo Fernandez de Oviedo y Valdes in his "de la natural hystoria de las Indias." (Toledo, 1526, chapter 42) In 1555 Pierre Belon included an illustration of its beak in his "L'Histoire de la nature des oyseaux." (Paris, 1555, p. 184) Andre Thevet first used the name 'Toucan' with a long description, and a woodcut of a whole bird, in his "Singularitez de la France" (Paris, 1555, pp.88-90). The Latin name "Burhynchus" or "Ramphestes" (in reference to the size of the beak) was suggested by Conrad Gesner ("Icones Avium", 1560, p.130), and Linnaeus later adopted Aldrovandus' corrupted form of the latter ("Ramphastos"), which is how the family was still recognized at the time of the publication of the present image.

The first edition of Gould's work, published in 1833-1835, represented the first concerted attempt to produce a monograph on the family. The present image is from the second expanded edition, which Gould considered to be a completely separate work: the plates were all re-drawn and the text re-written.

Cf. Anker 170; cf. Fine Bird Books (1990), p. 101; cf. Nissen IVB 378; cf. Sauer 3; cf. Wood, p. 364; cf. Zimmer, p. 252.

#14873$1,750.00



GOULD, John (1804-1881)

Selenidera Langsdorffi [Green-billed Toucanet]

[London: by the Author, 1854]. Hand-coloured lithograph by John Gould and H. C. Richter, printed by Hullmandel & Walton. Wove paper. Very good condition apart from some overall light soiling. Sheet size: 21 1/4 x 14 1/2 inches.

A fine image from the expanded second edition of John Gould's "A Monograph of the Ramphastidae, or Family of Toucans."

"The range of this subspecies extends from the Panama Canal southwards to north Colombia and Venezuela. It differs from R. s. sulfuratus in only one or two details: the bill is about a third shorter, squat and in some birds the red on the tip is less conspicuous; the red band below the yellow breast is broader...They roost with their bills hidden under their feathers and their tails flat over their backs. They utter strange shrill cries like a piglet screaming, but only when they feel threatened." (A. Rutgers, Birds of South America, 1972, p.149)

The toucan family is limited to Mexico, Central and South America, and some West Indian islands. The first time that any member of the family was described was by Gonzalo Fernandez de Oviedo y Valdes in his "de la natural hystoria de las Indias." (Toledo, 1526, chapter 42) In 1555 Pierre Belon included an illustration of its beak in his "L'Histoire de la nature des oyseaux." (Paris, 1555, p. 184) Andre Thevet first used the name 'Toucan' with a long description, and a woodcut of a whole bird, in his "Singularitez de la France" (Paris, 1555, pp.88-90). The Latin name "Burhynchus" or "Ramphestes" (in reference to the size of the beak) was suggested by Conrad Gesner ("Icones Avium", 1560, p.130), and Linnaeus later adopted Aldrovandus' corrupted form of the latter ("Ramphastos"), which is how the family was still recognized at the time of the publication of the present image.

The first edition of Gould's work, published in 1833-1835, represented the first concerted attempt to produce a monograph on the family. The present image is from the second expanded edition, which Gould considered to be a completely separate work: the plates were all re-drawn and the text re-written.

Cf. Anker 170; cf. Fine Bird Books (1990), p. 101; cf. Nissen IVB 378; cf. Sauer 3; cf. Wood, p. 364; cf. Zimmer, p. 252.

#10003$2,250.00



GOULD, John (1804-1881)

Squacco Heron. Ardea comata

London: [by the Author, 1832-1837]. Lithograph, coloured by hand, by J & E. Gould, printed by C. Hullmandel. Very good condition apart from some overall light soiling. Sheet size: 21 1/8 x 14 1/4 inches.

A beautiful image from John Gould's 'The Birds of Europe': a work which, according to Hyman, 'included some of the most remarkable bird drawings ever made'.

This plate is from the second of John Gould's great ornithological portfolios. Gould undertook this work not only hoping to build on the success of his first work (on the birds of the Himalaya mountains), but also in an effort to redress the imbalance between the study of local and foreign ornithology. It was his opinion that too much attention had focused on the exotic, whilst the beauty of the more local species was ignored. He wrote in the preface to the work from which this image comes: 'It has been frequently remarked that the productions of distant countries have received a much larger share of attention than those objects by which we are more immediately surrounded; and it is certainly true, that while numerous and costly illustrations have made us acquainted with the Ornithology of most other parts of the world, the Birds of Europe, in which we are, or ought to be, more interested, have not received that degree of attention which they naturally demand. The present work has been undertaken to supply that deficiency.'

The images in this work are the first to be published by Gould that show the liveliness of treatment that was to become such a feature of later works. This break from the traditional methods of bird depiction can be largely attributed to the influence of and contributions from Edward Lear: 'They are certainly among the most remarkable bird drawings ever made, [for] it is evident that Lear endowed them with some measure of his own whimsy and intelligence, his energetic curiosity, his self-conscious clumsiness and his unselfconscious charm'. (Hyman)

Cf. Anker 169; cf.Balis 101; cf.Fine Bird Books (1990), p. 102; cf.Nissen IVB 371; cf.Sauer 2; cf.Zimmer p. 251.

#9279$2,750.00



GOULD, John (1804-1881)

Sula Australis [Australian Gannet]

[London: by the Author, 1840-1869]. Hand-coloured lithograph by J. Gould and H.C.Richter, printed by Hullmandel & Walton. Very good condition apart from some overall light soiling, minor foxing, and two skillfully repaired small tears in the top margin. Sheet size: 14 1/8 x 20 3/8 inches.

A fine image from John Gould's major ornithological achievement 'The Birds of Australia'.

John Gould, accompanied by his wife Elizabeth, left Britain for Australia in May 1838 for what was to be a two year exploration of the birds and animals of the region. The natural history of the continent had not been studied in any detail before Gould's arrival and the abundant and highly varied bird life was to prove an inspiration to him, and between 1840 and 1869 he published what is his undoubted masterpiece: "The Birds of Australia".

Gould wrote of his time in Australia 'The interval spent from my native shores were some of the happiest days of my life... The results of my journey cannot, I think, but be attended with great advantage to science... Independently of a great new number of Birds I succeeded in procuring the nests and eggs of at least two thirds of the species inhabiting that interesting region'.

Contemporary praise for the work was fulsome: 'Great as is the excellence of Mr. Gould's former publications, there can be no doubt that the present work exceeds them all, both from an artistic and a scientific point of view'. One hundred and fifty years later there is no need to alter this sentiment.

Cf. Fine Bird Books (1990), p.102; cf. Nissen IVB 370; cf. Sauer 9 & 18; cf. Zimmer p.255 & 259.

#9363$1,500.00



GOULD, John (1804-1881)

Surf Scoter. Anas perspicillata; Oidemia perspicillata

London: [by the Author, 1832-1837]. Lithograph, coloured by hand, by J & E. Gould, printed by C. Hullmandel. Very good condition apart from some overall light soiling. Sheet size: 14 1/2 x 21 3/8 inches.

A beautiful image from John Gould's 'The Birds of Europe': a work which, according to Hyman, 'included some of the most remarkable bird drawings ever made'.

This plate is from the second of John Gould's great ornithological portfolios. Gould undertook this work not only hoping to build on the success of his first work (on the birds of the Himalaya mountains), but also in an effort to redress the imbalance between the study of local and foreign ornithology. It was his opinion that too much attention had focused on the exotic, whilst the beauty of the more local species was ignored. He wrote in the preface to the work from which this image comes: 'It has been frequently remarked that the productions of distant countries have received a much larger share of attention than those objects by which we are more immediately surrounded; and it is certainly true, that while numerous and costly illustrations have made us acquainted with the Ornithology of most other parts of the world, the Birds of Europe, in which we are, or ought to be, more interested, have not received that degree of attention which they naturally demand. The present work has been undertaken to supply that deficiency.'

The images in this work are the first to be published by Gould that show the liveliness of treatment that was to become such a feature of later works. This break from the traditional methods of bird depiction can be largely attributed to the influence of and contributions from Edward Lear: 'They are certainly among the most remarkable bird drawings ever made, [for] it is evident that Lear endowed them with some measure of his own whimsy and intelligence, his energetic curiosity, his self-conscious clumsiness and his unselfconscious charm'. (Hyman)

Cf. Anker 169; cf.Balis 101; cf.Fine Bird Books (1990), p. 102; cf.Nissen IVB 371; cf.Sauer 2; cf.Zimmer p. 251.

#9269$1,200.00



GOULD, John (1804-1881)

Willow Ptarmigan. Lagopus Saliceti

London: [by the Author, 1832-1837]. Lithograph, coloured by hand, by J & E. Gould, printed by C. Hullmandel. Very good condition apart from some overall light soiling and minor foxing. Sheet size: 14 1/4 x 21 1/8 inches.

A beautiful image from John Gould's 'The Birds of Europe': a work which, according to Hyman, 'included some of the most remarkable bird drawings ever made'.

This plate is from the second of John Gould's great ornithological portfolios. Gould undertook this work not only hoping to build on the success of his first work (on the birds of the Himalaya mountains), but also in an effort to redress the imbalance between the study of local and foreign ornithology. It was his opinion that too much attention had focused on the exotic, whilst the beauty of the more local species was ignored. He wrote in the preface to the work from which this image comes: 'It has been frequently remarked that the productions of distant countries have received a much larger share of attention than those objects by which we are more immediately surrounded; and it is certainly true, that while numerous and costly illustrations have made us acquainted with the Ornithology of most other parts of the world, the Birds of Europe, in which we are, or ought to be, more interested, have not received that degree of attention which they naturally demand. The present work has been undertaken to supply that deficiency.'

The images in this work are the first to be published by Gould that show the liveliness of treatment that was to become such a feature of later works. This break from the traditional methods of bird depiction can be largely attributed to the influence of and contributions from Edward Lear: 'They are certainly among the most remarkable bird drawings ever made, [for] it is evident that Lear endowed them with some measure of his own whimsy and intelligence, his energetic curiosity, his self-conscious clumsiness and his unselfconscious charm'. (Hyman)

Cf. Anker 169; cf.Balis 101; cf.Fine Bird Books (1990), p. 102; cf.Nissen IVB 371; cf.Sauer 2; cf.Zimmer p. 251.

#9276$1,200.00



GOULD, John (1804-81)

Purple Swamphen. Hyacinthe Porphyrio

London: [by the Author, 1832-37]. Hand-coloured lithograph by John and Elizabeth Gould. Printed by C. Hullmandel.

A beautiful image from John Gould's 'The Birds of Europe': a work which, according to Hyman, 'included some of the most remarkable bird drawings ever made'.

This plate is from the second of John Gould's great ornithological portfolios. Gould undertook this work not only hoping to build on the success of his first work (on the birds of the Himalaya mountains), but also in an effort to redress the imbalance between the study of local and foreign ornithology. It was his opinion that too much attention had focused on the exotic, whilst the beauty of the more local species was ignored. He wrote in the preface to the work from which this image comes: 'It has been frequently remarked that the productions of distant countries have received a much larger share of attention than those objects by which we are more immediately surrounded; and it is certainly true, that while numerous and costly illustrations have made us acquainted with the Ornithology of most other parts of the world, the Birds of Europe, in which we are, or ought to be, more interested, have not received that degree of attention which they naturally demand. The present work has been undertaken to supply that deficiency.'

The images in this work are the first to be published by Gould that show the liveliness of treatment that was to become such a feature of later works. This break from the traditional methods of bird depiction can be largely attributed to the influence of and contributions from Edward Lear: 'They are certainly among the most remarkable bird drawings ever made, [for] it is evident that Lear endowed them with some measure of his own whimsy and intelligence, his energetic curiosity, his self-conscious clumsiness and his unselfconscious charm'. (Hyman)

Cf. Anker 169; cf.Balis 101; cf.Fine Bird Books (1990), p. 102; cf.Nissen IVB 371; cf.Sauer 2; cf.Zimmer p. 251.

#14687$1,200.00



GUILLET, Peter

Timber Merchant's Guide. Also a Table, whereby, at one view, may be seen the solid and superficial measure of any square or unequal Hewed Logs or Plank, from one to forty-seven inches. Also, Plates representing the Figures of the principle pieces of timber, used in building a seventy-four Gun Ship of the Line, in standing trees

Baltimore: John D. Toy for James Lovegrove, 1823. Octavo (8 3/8 x 5 1/2 inches). 24pp., [89]pp. of letterpress tables. 30 hand-coloured lithographic plates by Henry Stone after Guillet. Expertly bound in tan quarter calf to style, old paper boards, spine simply gilt in six compartments, lettered in the 2nd.

The second book printed in America to be illustrated by lithographs and an important record of the use of timber in ship building.

A remarkable and important book, illustrated with thirty hand-coloured lithographic plates, each of which illustrates the most economic method of using various tree types to provide the variously shaped and stressed pieces of timber needed in the building of a ship. This is the second book printed in America to be illustrated with lithographs, preceded only by J.E. Smith's Grammar of Botany. The plates were produced by Henry Stone, 'one of the earliest and most elusive of all the lithographers' (Peters) and the first lithographer to practice in Baltimore. The author begins the book with an impassioned plea for federal government intervention in the conservation of the forests as a national resource: `When we consider the progressive devastations committed upon the vast forests of this country - that, if the present destructive course be pursued, they must in time entirely disappear - the necessity of taking prohibitory measures for their preservation, must be obvious to every man of intelligence. It is necessary, not only to make the best use possible of the timber we possess, but also to preserve resources for the future... Let commissioners or foresters be appointed to superintend the concerns of the forests, whose duty should be to attend to their preservation... our expansive and seemingly inexhaustible forests, will ere long be ruined; the foregoing anticipated evils will soon be realized, unless preventive measures are immediately taken by the government.'

American Imprints 12738; Bennett, American Color Plate Books, p. 67; Bradley Bibliography IV p.222; Peters, America on Stone, p.376. Not in Raphael An Oak Spring Sylva; Rink.

#2893$5,000.00



HILL, Sir John (1716?-1775)

Eden: or, a Compleat body of Gardening, Both in Knowledge and Practice; Directing the Gardener in his Work, for every distinct Week in the Year... Illustrated with figures of about Four Hundred of the finest Shrubs, Flowers and Plants... Enlarged With the Addition of Twenty Folio Plates of new Plants, now first raised in the Royal Garden at Kew

London: printed for the Author, sold by all booksellers, 1773. Folio. Mezzotint portrait of the author by Richard Houstan after Francis Cotes, engraved frontispiece, 80 engraved plates, (12 by and after J. Hill, 1 by Hill after Jan van Huysum, 8 by C.A. Edwards, Boyce, B. Cole or others, 59 unsigned). 55 plates with fine partial or full hand-colouring by a later early-19th-century hand, 63 of the plates with some or all of the plant names neatly altered in ink to their Linnaean equivalents in a single early-19th-century hand. Expertly bound to style in half 18th-century russia gilt over marbled paper-covered boards, spine in seven compartments with raised bands, red morocco lettering-piece in the second, the others with repeat overall decorative tooling. Provenance: Hon. Booth Grey (Caverswall Castle, Staffordshire, England, armorial bookplate).

Rare second expanded edition. With twenty more botanical plates and a very fine mezzotint portrait showing 'the intelligent and determined head' (Oak Spring Flora) of Sir John Hill, 'who undeniably played a conspicuous role in the intellectual history of eighteenth-century England' (op. cit.)

This work was originally issued in 60 weekly parts between August 1756 and October 1757. The present second expanded edition is made up from the text sheets and plates of the first edition, with the addition of a mezzotint portrait of the author and an 'Appendix to Eden' consisting of 20 additional botanical plates, each figuring a single species and 4pp. of explanatory text. These additional plates originally appeared in vols. XII, XIII and XVII of Hill's The Vegetable System (1759-1786), and although unsigned are by Hill himself. The partial hand-colouring is carefully executed with great attention paid to the correct colouration of the flowers - it appears to have been carried out at the same time as the Linnaean names were added to many of the plates: the Hon. Booth Grey or his family must be considered as likely authors/artists.

The work, originally intended as a companion to the Compleat Body of Husbandry (London, 1756), was designed along very unusual lines for the period: each weekly part includes information on what should be done in the garden during the following week together with descriptions of the plants that should be at their peak at that time. In the introduction the author's intentions are made plain: "We shall treat Gardens from their Origin, Design, and first Construction, to the raising them to Perfection, and keeping them in that condition; and we shall consider, in our Course, their Products, whether of Use, Curiosity, or Beauty. These we shall describe in their several Seasons, suiting our Publications to the Time of their Appearance."

Henrey writes of Sir John Hill that "Not only was...[he] industrious and energetic, but his writings show him to have been a man of real ability and genius" (vol. II, p. 91). Unfortunately, he was